Slinky Egyptian sexpot, Princess Nellifer, who lures a trusting king onto his Reed, who allegedly raped her on their first night together.īad girl for her role in Rank’s I Believe in You (1952), her reputationįor largely fictionalized wickedness, enough for Hawks to cast her as the She had barely the time to make a splash on this side of the Atlantic and was,īy 1955, rounding out the end of her first marriage to Irish actor, Maxwell Status over the threshold of box office returns. Regrettably, none of the aforementioned, carried the hit-maker Hawkins, James Robertson Justice, Dewey Martin, and, quite literally, a throng Harold Jack Bloom, Nobel-lit-prize winner, William Faulkner and Harry Kurnitz with an, as equallyĪccomplished cast to include the aforementioned Collins, alongside Jack DeMille-type picture,’ Hawks aligned a competent script by Impressively mounted anomaly in the director’s career. Of the Pharaohs (1955) landed with a colossal thud at the box office as an Mid-fifties’ craze for sword and sand spectacle, and featuring a mint JoanĬollins, cavorting in the skimpiest of costumes, director, Howard Hawks’ Land

Treasure of the Pharaohs 1955